Charles Eamer Kempe



Charles Eamer Kempe was probably the greatest Victorian Stain Glass designer  in Victoria history.   He dedicated his work to redesigning Churches and especially restoring the art of Stain Glass Windows depicting Jesus, Mary and the Saints and depicting many biblical scenes to bring Churches closer to God.   There is hardly a part of the country where you are not far from his work be it Yorkshire, Stirling,  Newcastle, Wakefield, Oxford University, Sussex, Brighton.    So, so many places.   Now you may well be asking what this has to do with my hunt for Virgo Immaculata?   My answer is that he restored medieval stained glass window production and copied the old and fading  to replace the original.    Now if it were a painting you would have probably had a signature of some kind but with stained Glass Windows you made up something individual on the window which those who looked at it would see and know who the designer was.    Kempe used several methods.  He like Pelicans and wheatsheafs, but he also used Gothic Pavilions and birds.   At the top of the window you will see such a Gothic Pavilion.    The dat on the stand is 18--  which is the date he completed the copy.

I discovered all this when I put the right words into the search engine and came upon the Church of All Hallows, Woolbeding.    The text tells me that during the Civil War the stained Glass windows in the Holy Ghost Church, built as a burial place for Lord Sandys and his family, were removed to Mottisfont Abbey for safety.     Mottisfont was also owned by the Sandys.    When the Sandys died off and the Vyne was inherited by a Sir John Mill of Woolbeding. who had a relation who was a vicar in Woolbeding and this Vicar promptly raided Mottisfont and took some of the Stained Glass windows to Woolbeding for All Hallows Church.  The ones he took were from the Holy Ghost Church.   In 18-- the Mills family called in Charles Eamer Kempe to renovate the fading Medieval Glass Windows.    I did rush on my PC to look at the renovated windows at All Hallows but alas there were many but none was the Virgo Immaculata.   I know that some of the windows from Mottisfont went to Winchester Cathedral and were renovated around the time of Kempe but he was not involved and there is no such window in the Cathedral.  

But the search goes on, my head grows bald, and there is more and more wrinkles on my face.   Still I really enjoyed finding out about Charles Earner Kempe.   He was part of the Oxford Reform Movement and an Anglo-Catholic.   His Stained Glass windows are at times breathtaking.  











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